Soloist(s) and orchestra
Band / Wind / Brass Ensemble
Large ensemble
2-8 players
Solo (excluding keyboard)
Solo keyboard(s)
Chorus a cappella or plus 1 instrument
Chorus and orchestra
Solo voice and up to 8 players
The Ghosts of Versailles: arias and excerpts (voice(s) and piano)
Three Cabaret Songs (voice(s) and piano)
End of the Line
Film scores

Fanfares to Music (1993)
For brass ensemble

see also Antiphon (also for brass ensemble)


Commissioned by the Lincoln Center Chamber Music Society to celebrate their 25th anniversary season

First performed October 20, 1993, by Robert Routch, horn, with the American Brass Quintet and the Meridian Arts Ensemble; Alice Tully Hall, New York, NY


order score and parts from www.musicdispatch.com  (includes Antiphon, also for brass ensemble)


Scored for on- and off-stage brass ensembles; on-stage: horn, trumpets, trombone, bass trombone; off-stage: 2 horns, 2 piccolo trumpets, trombone, and tuba

Duration  6 minutes


Program note

Since chamber music evokes a feeling of intimacy, the idea of writing a fanfare for a large symphonic brass choir posed a number of problems to me. But this was the request of the Lincoln Center Chamber Music Society to celebrate their 25th anniversary season.

Fanfares to Music, my solution to this quandary, is basically a short lyrical and introspective piece involving a standard brass quintet on the stage and “fanfare elements” played by the remaining six players around the back of the hall.

The onstage quintet plays a long chorale-like passage, answered at first by solos from its own ranks, and later from the offstage players. This dialogue reaches a peak and resolves into a gentle setting of Schubert’s masterful song An Die Musik (hence the title) from which all of the earlier fanfare elements were taken. For me, this great Art song perfectly captures the essence of chamber music.

                     — John Corigliano

© 2021 John Corigliano | Designed by Wlad Marhulets | Artwork photos by Richard Howe