Tarantella from Symphony No. 1




Arranged for band by Jeff Gershman (2001)
Band/Wind/Brass Ensemble



Band/Wind/Brass Ensemble


3 flutes (1 doubling piccolo plus 2 more piccolos), 3 oboes and english horn, 3 clarinets in Bb, bass clarinet (doubling contrabass clarinet), soprano, alto, tenor, baritone, and bass saxophones (contrabass clarinet may substitute for bass saxophone), 6 horns 5 trumpets, 4 trombones, 2 euphoniums, 2 tubas, 2 timpanists, percussion (6 players), piano, harp, mandolin (optional), and double bass


9 minutes

commissioned by


the University of Texas Wind Ensemble, Jerry F. Junkin, conductor; Austin, TX (October 31, 2001)

Program note

The second movement (Tarantella) of y Symphomy No. 1 was written in memory of a friend who was an executive in the music industry. He was also an amateur pianist, and in 1970, when I wrote a set of dances (Gazebo Dances for piano, four hands) for various friends to play, I dedicated the final, tarantella, movement to him. This was a jaunty little piece whose mood, as in many tarantellas, seems to be at odds with its purpose. For the tarantella, as described in Grove’s Dictionary of Music, is a ‘South Italian dance played at a continually increasing speed [and] by means of dancing it a strange kind of insanity [attributed to a tarantula bite] could be cured.’ The association of madness and my piano piece proved both prophetic and bitterly ironic when my friend, whose wit and intelligence were legendary in the music field, became insane as a result of AIDS dementia.

– John Corigliano

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